GRAND VOYAGE 2017 – SILVER MUSE. STARTING October 13 in Fort Lauderdale, Florida aboard SILVER MUSE FROM US$ 36,700 (per guest). 2554 Akurang-Parry, K.O., Making a difference in colonial interventionism in gold mining in Wassa Fiase, Gold Coast (Ghana): the activism of two women, 1874-1893, in Gier, J.L. and Mercier, L. (eds), Mining women. Showbiz; Studio album by Muse; Released: 7 September 1999 (1999-09-07) Recorded: April – May 1999: Studio: RAK Studios (London, United Kingdom) Sawmills Studio (Cornwall, England) Genre. The Art of Painting (De Schilderkonst) c. 1662 - 1668 Oil on canvas 120 X 100 cm. (47 1/4 x 39 3/8 in.) Kunsthistorisches Museum, Vienna. CBC, Muse Entertainment and Back Alley Film Productions today announced that Academy® and Golden Globe® award-winning actress Anna Paquin (True Blood, Roots, Margaret, Alias Grace) will star in BELLEVUE, a new 8 x one-hour. Nick Cave & The Bad Seeds - From Her To Eternity (Live 1989, Pro-Shot with well-balanced audio) - Duration: 5:16. Nick Cave & Related - Videos 163,369 views. This listing provides directory information for schools and programs in the US that enroll or provide services to children who are deaf or hard of hearing. Under each state is an alphabetical listing by city of (1) special. The discography of Muse, an English alternative rock band, consists of seven studio albums, two live albums, one compilation album, three extended plays, 31 singles and 40 music videos. The band released their debut album. Records found: 1519: artist: song: time: year: album: 100:00 and longer: Rich, Robert: Somnium: 420:00: 2001: Somnium: Schulze, Klaus: Picasso Geht Spazieren: 154:27: 1993-70:00 - 79:59: Bongripper: The Great Barrier Reefer. Grand Voyage 2. 01. Silversea Luxury Cruises. It is a land of stunning extremes – the world’s highest waterfall, the world’s longest mountain range, the world’s driest desert, the world’s largest rain forest. Stretching from the steaming Amazon to the bone- dry Atacama Desert to the glacial peaks of the Andes, this is a continent where the unexpected is never a surprise. Join us aboard Silver Muse, our newest leading lady, in October 2. You may trace the vast empire of the Incas in Peru or race with the wind across the Argentine pampas. Experience the sensuous samba in Rio, marvel at the icebergs calving off the face of San Rafael, or watch the Andean eagle soar in the majestic fjords of Chile. What’s more, Silver Muse will be the perfect vantage point to admire the passing scene with plenty of open- air spaces that flow seamlessly outward to the magnificent destinations you’ll visit. THE ART OF PAINTING by Johannes Vermeercritical excerpt. Clio's collar: IVer. Meer c. 1. 66. 6- 1. Arthur K. Wheelock Jr. Vermeer: The Complete Works, New York, 1. Walter Liedtke Vermeer: The Complete Paintings, New York, 2. The support is a plain weave linen with a thread count of 1. Cusping shows that the canvas was secured to the strainer with 1. The canvas vas lined with a glue lining and strecher construction probably from the 1. Recent examination has detected the date, applied by the artist, immediately following his signature, and can be interpreted as MDCLXVI(I I ?). The lettering is consistent with selected inscriptions in both the Astronomer (1. Geographer (1. 66. A signature of Pieter de Hooch, applied in the 1. The ground is made of a single (principal) layer containing coarsely ground lead white with admixtures of chalk, ochre, umber and charcoal black. The color of the ground is a mid level, somewhat neutralized, greybrown. Earlier binding media analysis of the preparation layer in the Vienna canvas suggested that it contains both protein (glue) and drying oils (mixed). Recent analysis reveals that the dominant medium for the ground is linseed oil. The x- ray of the painting does not reveal any detectable changes in composition. Examinations with infrared reflectogram reveals that the initial modeling of the forms is constructed through the characterization of the shadowed areas first. Fine black lines of underdrawing have been detected, defining the contours of various design elements, for example at the arms of the chandelier, at the framing of the single city views in the wall map or at the easel. The vanishing point of the complex composition is marked with a pinhole just under the knob at the left edge of the map. Recent examination has detected a second deformation (similarly positioned at the right side of the map) that acts as a vanishing point for the stool upon which the artist is sitting. Yellow earth, umbra or ochre was detected within the leaves of the tapestry with indications of additional ultramarine in areas of shadows. Lead tin yellow is the primary pigment present in the chandelier - most likely together with lead white (subsequently glazed) - or with pure lead tin yellow. Lead tin yellow has been detected for the highlights of the chair tacks and umbra or ochre for the boarder fringe. Ochre is the chief pigment in the book Clio is holding. A copper (soap) based underpainting (verdigris) can be seen covered with a semi transparent layer of ultramarine, for the teal covered textile draped from the table at left. Ultramarine has been detected in the blue of the ships within the right side of the map and the veining in the marble floor. The leaves within the tapestry would originally have a stronger green coloration. The color was almost certainly made with the admixture, or application of, an organic based glaze that was light or solvent sensitive. Vermilion was found as the pigment for the leggings of the painter. Additionally a possible red organic glaze over a medium brown under- layer within the tapestry can be seen. Charcoal (vine) black is used almost exclusively, except for one area where a pentiment in the right shoe of the painter is located. Here boneblack is the principal pigment. Copper is found as an admixture as well as iron oxide in the paints of the painter to lend a warmer tone. In the early 1. 95. Kunsthistorisches Museum's paintings collection the considerable adhesion problems with minute flaking above all in the lighter areas, were noticed in the Metropolitan Museum of Art in New York and drawn in a diagram in 1. Herman Kühn's study of Vermeer's pigments and grounds. The first in- depth study concerning the delicate condition of the painting was made 1. Vermeer- exhibition of 1. Washington and The Hague. The examinations of the binding medium, ground and paint layers revealed an oil- rich tempera mixture with additions of small amounts of proteinaceous material used by Vermeer to render the lighter colored passages in the painting. In addition with the resins, gums and proteins, detected in the overlying coatings this resulted in increased mechanical forces. The process of flaking seems to resist under stable conditions, but was activated by external (climatic and mechanical) factors. Robert Wald, "The Art of Painting. Observations on Approach and Technique," 3. Elke Oberthaler, Jaap J. Boon et al., +The Art of Painting by Johannes Vermeer. History. of Treatments and Observations on the Present Condition," 3. Vermeer. Die. Malkunst. Sabine Haag, Elke Oberthaler, Sabine Pénot. Kunsthistorisches. Museum Vienna 2. 01. The artist's widow, Catharina Bolnes (1. Maria Thins (2. 4 February 1. Delft, 1. 5 March 1. Baron Gerard van Swieten, prefect of the Imperial Court Library, Vienna (d. Gottfried van Swieten (d. Pieter de Hooch (1. Czernin); Count Johann Rudolf Czernin (1. De Hooch); by descent to Count Eugen Czernin (d. Jaromir Czernin (d. Adolf Hitler (1. 94. Munich Central Collecting Point (1. November 1. 94. 5 to the Kunsthistorisches Museum, Vienna. Zurich October 1. March, 1. 94. 7Meisterwerke aus Oesterreich. Kunsthaus. no. 4. Brussels April - June, 1. Amsterdam July - October, 1. Paris November 1. March, 1. 94. 8. Stockholm May - October 1. Kopenhagen December 1. March 1. 94. 9. London 1. May – 3 September, 1. Art treasures from the Vienna collections. Tate Gallery. no. Washington, D. C. November 2. 0, 1. January 2. 2, 1. 95. Art treasures from the Vienna collections. National Gallery of Art. New York February - May 1. Art treasures from the Vienna collections. Metropolitan Museum of Art. San Francisco July - October 1. Art treasures from the Vienna collections. M. H. De Young Memorial Museumno. Chicago November 1. January 1. 95. 1Art treasures from the Vienna collections. The Art Institute of Chicago. St Louis 4 March - 2. April, 1. 95. 1Imperial Vienna Art Treasures. Toledo May - June, 1. Art treasures from the Vienna collections. Toledo Museum of Art. Toronto August - September 1. Art treasures from the Vienna collections. Boston October 1. January 1. 95. 2Art treasures from the Vienna collections. Philadelphia February - April 1. Art treasures from the Vienna collections. Oslo May - July 1. Innsbruck August - November 1. Vienna 1. 95. 3Österreichs Amerika- Ausstellung "Kunstschätze aus Wien." Kunsthistorisches Museum. Zurich 1. 95. 3Hollander des 1. Jahrhunderts. Kunsthau. Rome 1. 95. 4Mostra di pittura olandese del seicento. Palazzo delle Esposizioni. Milan 1. 95. 4Mostra di pittura olandese del seicento. Palazzo Reale. no. Delft, Antwerp 1. De schilder in zijn wereld: Van Jan van Eyck tot Van Gogh en Ensor. Stedelijk Museum Het Prinsenhof, Delft. Koninklijk Museum voor Schone Kunsten, Antwerp. Delft only). Paris 1. Dans la lumière de Vermeer. Musée de l'Orangerie. IX. Washington 2. November 1. 99. 9 – 8 February 2. Johannes Vermeer's The art of Painting. National Gallery of Art. The Hague 2. 5 March – 2. June 2. 00. 5De Weense Vermeer, een bijzonder bruikleen (The Vienna Vermeer, an exceptional loan). Mauritshuis. Vienna 2. January – 2. 5 April 2. Vermeer: The Art of Painting. Kunsthistorisches Museum Maria Theresien- Platz. The Concert presents a very similar deep spatial recession similar to the earlier Music Lesson. Vermeer's interest in the accurate portrayal of three dimensional perspective to create such an effect was shared by other interior genre painters of the time, however, only Vermeer seems to have fully and consciously understood the expressive function of perspective. The two paintings' underlying theme of music between male and female company is also analogous although few critics believe they were conceived as a pendant. In the paintings of the 1. These pictures convey and impalpable air of reticence and introspection, unique among genre painters with the possible exception of Gerard ter Borch. Frans Hals, eminent Dutch portrait painter, dies. It was formerly believed that he died in the Oudemannenhuis almshouse in Haarlem which was later became the Frans Halsmuseum. François Mansart, French architect, dies. Apr 9, 1st public art exhibition (Palais Royale, Paris). Dec 5, Francesco Antonio Nicola Scarlatti, composer, is born. Le Misanthrope by Molière is palyed at the Palais- Royal, Paris. Laws of gravity established by Cambridge University mathematics professor Isaac Newton, 2. Newton has returned to his native Woolsthorpe because the plague at Cambridge has closed Trinity College, where he is a fellow; he has observed the fall of an apple in an orchard at Woolsthorpe and calculates that at a distance of one foot the attraction between two objects is 1. Although he does not fully comprehend the nature of gravity, he concludes that the force exerted on the apple is the same as that exerted on Earth by the moon. Calculusis invented by Isaac Newton will prove to be one of the most effective tool for scientific investigation ever produced by mathematics. Nov 1. 4, Samuel Pepys reported the on first blood transfusion, which was between dogs. The plague decimates London and Isaac Newton moved to the country. He had already discovered the binomial theorem at Cambridge and was offered the post of professor of mathematics. Newton formulates his law of universal gravitation. A French Academy of Sciences (Académie Royale des Sciences) founded by Louis XIV at Paris seeks to rival London's 4- year- old Royal Society. Jean Baptiste Colbert has persuaded the king to begin subsidizing scientists. Christiaan Huygens, along with 1. After the French Revolution, the Royale is dropped and the character of the academy changes. It later becomes the Institut de France. Sep 2, The Great Fire of London, started at Pudding Lane, began to demolish about four- fifths of London when in the house of King Charles II's baker, Thomas Farrinor, forgets to extinguish his oven. The flames raged uncontrollably for the next few days, helped along by the wind, as well as by warehouses full of oil and other flammable substances. Approximately 1. 3,2. But the fire claimed only 1.
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